As of 5pm today I stopped writing so it’s time to go over the totals from this year’s Nanowrimo. While I certainly didn’t start and finish a novel, I actually got a lot done this past month, including writing every day! Here are the totals: Continue reading
This year I decided to do a modified Nanowrimo and focus on outlining my next book with goal being to have no 0 word count days. 15 days in and I’ve managed to keep that streak alive! My totals so far are below:
After a long break I’m finally back to writing somewhat consistently, getting at least one day per week where I get stuff done. Right now I’m about 75% through the high-level outline for my next book The Gray Shift. I thought it would be fun to share how I’m trying to outline this book. Continue reading
Not all of the parts that got edited out of Full Coverage were cut because they were bad. In this Deleted Scene, we will go over a scene that was cut to improve pacing and to change when a character introduction happened. There will be some mild spoilers involved in describing this scene, so if you haven’t read Full Coverage: An Action Comedy yet, please go and check it out on Kindle or paperback on Amazon first and then come back here.
This scene is from the last third of Chapter 2 in Rev 07 of the book. This was the first full version I sent to my awesome editor for her to read over in May of 2016. The final version of the book is Rev 10 and the text for that was finished in March 2017. This scene would take place right after Chapter 5 in the final book, but as you are about to see, the timeline this scene existed in is very different from the final book.
One of the fun parts about self-publishing your own book is making your own cover art! I’ve dabbled in artsy stuff my whole life and my books are a fun way to go from amateur to semi-pro artist once in a while. The Full Coverage cover art changed pretty dramatically over the 6 months I was working on it. Below you can see a gallery of the evolution of the cover and if you click on each thumbnail you’ll see more info about each one. Enjoy!
Well it’s new years resolution time and what better way to kick off the new year than to start on a new book. I haven’t really done much writing wise since I stopped running the Facebook Ads for Full Coverage. My goal this year is to self publish at least one more book. Sorry this won’t be a sequel to Full Coverage (though I am collecting ideas for that right now and if all goes to plan that will be the 4th book I self publish), but this will instead be something completely different. I haven’t quite nailed down the tone I want yet but it will be called The Gray Shift and will be a Dr. Strangelove meets 24 dark satirical thriller sort of thing. It’s always tricky explaining how the various bits of my books come together (Well, you see there’s assassins and bioprinting and health insurance and they all go together in a way that makes sense. Wait, where are you going?) especially when I haven’t even finished the outline yet. Continue reading
A while ago I posted a deleted scene that was my “Michael Bay” moment. It was a scene filled to the brim with action and sounded like it would have looked really cool, but it raised no stakes and had no lasting consequences on the characters or the story. One article I found a while ago that helped convince me to cut that scene and write better replacement ones is this article from iO9 called “Why You Should Never Write Action Scenes For Your Blockbuster Movie”. It goes into just enough detail and gives some good examples to help you tell if you are making a kick-ass plot driving Matrix style action scene, or a time wasting pointless Matrix: Reloaded action scene. This part in particular makes things very clear:
The second big action sequence: rescuing Morpheus. The choices Neo makes and abilites he shows actually evolve the story and his character. He’s learning about the nature of the world. Learning to sacrifice. Going from a watcher to a participant. The action is simply the lens through which we see this growth — the visually arresting, badass lens. This sequence is particularly noteworthy, as you can actually track its internal three-act progression of Neo quite clearly.
“I may not be the One, but I’m going to help my guy.”
“You moved like they do.”
“Holy shit, he is the One.”
I’m starting to plot out my next book and now that I know these things beforehand, I hopefully won’t waste as much time writing chapters that will just wind up getting cut out completely.